Fears, Tears, and Ears

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The Art of Hearing

In early , they began working with a new producer, Jeremy Green, on their new single " Mothers Talk ". However, the band were ultimately unhappy with the results and so producer Chris Hughes was brought back into the fold and the "Mothers Talk" single re-produced for release in August A departure from their earlier works, the single became a top 20 hit in the UK, but it was the follow-up single " Shout " released in the UK in November that was the real beginning of the band's international fame. They did away with the predominantly synthpop feel of the first album, instead expanding into a more sophisticated sound that would become the band's stylistic hallmark.

Anchored around the creative hub of Orzabal, Stanley, and producer Hughes, the new Tears for Fears sound helped to propel Songs from the Big Chair into becoming one of the year's biggest sellers worldwide, eventually being certified triple-platinum in the UK and quintuple-platinum in the US where it remained the no. The album's title was inspired by the book and television miniseries Sybil , the chronicle of a woman with multiple personality disorder who sought refuge in her analyst's "big chair", Orzabal and Smith stating that they felt each of the album's songs had a distinctive personality of its own.

The band had also recorded a track titled "The Big Chair", which was released as the B-side to "Shout" but was not included on the album. The album's success came in conjunction with the array of hit singles it yielded: "Mothers Talk" re-recorded yet again for its US release in , " Shout " no. Following the album's release, the band went on a world tour that lasted most of the year, playing notably at the Montreux Golden Rose Rock and Pop Festival in May However, on the morning of the historic event, it was announced that the band who had actually been billed to appear at the event before they had even agreed to do so had pulled out of the show.

They were replaced by blues rock group George Thorogood and the Destroyers , which has a strong Philadelphia-area following. The official reason given for their non-appearance was that two of their backing musicians, guitarist Andrew Saunders and saxophonist Will Gregory , had quit due to the expiration of their contract; they were replaced by Alan Griffiths on guitar and Josephine Wells on saxophone for the remaining bulk of the world tour. In place of appearing, the band pledged to donate proceeds from their concerts played in Tokyo, Sydney, London and New York.

As a further donation, the band also recorded a slightly rewritten version of one of their biggest hits and released it for the British fundraising initiative Sport Aid , a sister project of Band Aid in which people took part in running races of varying length and seriousness to raise more money for African famine relief projects. It was before the group released their third album, The Seeds of Love on which Ian Stanley appeared for the last time as a member of Tears for Fears , at a reported production cost of over a million pounds. Moving from various studios and using various sets of producers over many months, the band ultimately decided to scrap the recordings and take the reins themselves with assistance from engineer Dave Bascombe.

Much of the material was recorded in jam sessions and later edited down. The length of the production impacted on the band's management company, who had financially over-extended themselves in other business matters and were hoping for an earlier release date to pay off their debts. The album retained the band's epic sound while showing increasing influences ranging from jazz and blues to the Beatles , the latter being evident on the hit single " Sowing the Seeds of Love " the first record ever played on the Irish-based longwave radio station Atlantic The album was a worldwide success, entering the UK Albums Chart at no.

The band set out on an extensive "Seeds of Love" world tour sponsored by Philips to start recovering the debt incurred. The band's show in Santa Barbara, California , in May would be captured on the Going to California live video as the singles " Advice for the Young at Heart " and " Famous Last Words " delivered modest chart success. A page companion book, simply titled Tears for Fears — The Seeds of Love , was released by Virgin Books in and offered extensive insight from Orzabal, Holland and Adams into the songwriting and production process for the album, as well as the musical scores for each track and rare promotional photographs from the era.

After The Seeds of Love , Orzabal and Smith had an acrimonious falling out and parted company in The split was blamed on Orzabal's intricate but frustrating approach to production and Smith's desire to slow down the pace of their work prior to the release of The Seeds of Love , Smith's marriage had also broken down.


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Another factor in the break-up was the band's manager, Paul King, who declared bankruptcy in and was later convicted of fraud. The duo had signed to King's Outlaw Management Agency in and remained clients throughout the remainder of the decade the agency also operated the band's fan club, the Tears For Fears World Service, between and By the late s, the agency had run into serious debt and, after discrepancies were discovered in King's financial management, Orzabal became increasingly concerned that Smith was unwilling to drop King as their manager.

In , following fraudulent activities with his other businesses, King was prosecuted for fraud and imprisoned for three and a half years, as well as being disqualified from being a company director again for ten years. The single was released to promote the band's greatest hits collection Tears Roll Down Greatest Hits 82—92 , which featured every single to reach the Top 20, either in the UK or internationally, apart from the Sport Aid fundraiser. The album peaked at no. The album was a commercial failure and Smith himself has said on numerous occasions that he despised it, alleging that he only made it to fulfill his recording contract.

In , he met local songwriter and producer Charlton Pettus. The two formed a self-described "organic" partnership, writing simple, melody-based songs and recording them at home on vintage analogue equipment. The result was released in under the name Mayfield and a short US tour followed.

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In , Orzabal still under the name Tears for Fears released the album Elemental together with longtime collaborator Alan Griffiths. The album was a top 10 hit in the UK, France and Italy, and top 30 in several other countries.

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Although it charted considerably lower in the US than the previous two studio albums no. The singles " Cold ", " Elemental " and " Goodnight Song " met with minor chart success in certain territories. The lyrics to "Cold" contained a scathing reference to the band's former manager, Paul King, in which Orzabal sings "King got caught with his fingers in the till.

Where's your calculator — did you leave it in your will? This was a more contemplative work that delved into his own Spanish heritage and showcased a new Latin musical influence Raoul was originally the name Orzabal's parents wanted to give him, and is also the name of his own first son. Orzabal stated that it was not a concept album but that there was a theme, namely that of familial relationships. The album was not a commercial success by Tears for Fears standards, though minor chart success came via the single release of the title track top 40 in the UK and to a lesser extent the single " God's Mistake ".

The release of the album had been delayed for nearly a year due to a last-minute label switch from Mercury to Epic part of Sony Music , and the ensuing confusion Mercury had already begun promotion did not help the album's chances either. Although the track listing for the album had been changed at the record company's request, Sony did not extend Tears for Fears' contract following the album's release.

A worldwide tour followed, including dates in Latin America, though Orzabal declined to tour his native UK this time except for a single show in London. The liner notes, written by Orzabal and Chris Hughes , gave fans an insight into the songwriting process as well as a rare glimpse of self-deprecating humour regarding the tracks they would rather forget. In , Mercury Records released remastered editions of Tears for Fears' first three albums, including B-sides, remixes, and extended versions. Supervised by producer Chris Hughes, the remasters also included new liner notes for each album providing details and new insights into the music.

Due to record company mergers and acquisitions in the late s, Tears for Fears' back catalogue was eventually placed into the Universal Music fold. Whereas Tears for Fears' work had become guitar-based, Tomcats Screaming Outside showcased a predominantly electronic style.

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In , routine paperwork obligations led the duo to re-establish contact with each other after Orzabal signed a business document on Smith's behalf. The songwriting sessions included Charlton Pettus Smith's collaborator since the mids , and fourteen songs were written and recorded in less than six months.

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The ensuing album, Everybody Loves a Happy Ending , was scheduled for release on Arista Records in late , but a change in management at Arista prompted the band to opt out of their contract and switch to the New Door label a new offshoot of Universal Music , and delayed the release until September Two US tours followed, and the tour included an unrehearsed guest appearance by Oleta Adams at the Kansas City show for a performance of "Woman in Chains". The song "Who Killed Tangerine? The promo video for the single was a colourful fantasy that featured Hollywood actress Brittany Murphy riding in a hot air balloon.

In , the band began discussions with Universal Music for the release of a new comprehensive anthology of their work to date, including a new track titled "Floating Down the River". However, the subsequent release at least in the US was a compilation issued as part of Hip-O Records ' generic "Gold" series, a Universal subsidiary that specialises in budget-priced back catalogue compilations.

Titled Secret World — Live in Paris , it was released on the XIII Bis label in early and became a best-seller, with over 70, physical copies sold in addition to downloads. Every movement of the lower jaw, whether it's talking or chewing, pushes the wax toward the outside world -- no cotton swab required. In fact, trying to clean earwax can do more harm than good, if wax is pushed further into the ear canal rather than extracted. Most experts agree you should leave your earwax alone , unless you're experiencing symptoms of too much earwax, which can include hearing changes, LiveScience reported.

Your earwax can tell you about your sweat. Some people produce wet earwax, while others stay dry. The white, flaky type probably means that you also lack a certain chemical in your sweat that leads to body odor. Dark and sticky earwax, however, means you'll want to keep deodorant handy. Earwax varies by race. That dry versus wet distinction may have something to do with your ancestors, according to a recent study. Monell Center researchers found that, like with sweat, chemical compounds in earwax differ between the races , and the molecules that produce an odor are generally higher in Caucasians than in East Asians.

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Stress or fear can increase earwax production. The glands in the ear that help to secrete wax are a class of glands called the apocrine glands , which are also responsible for your smelliest sweat. Just like stress can make you sweat more and smell worse , it along with other strong emotional responses, like fear can also up your earwax production , according to the American Speech-Language-Hearing Association.

They always sound incredibly good. We had seats in the front of the balcony at the Wiltern and I have never felt it shake the way it did that night. I was actually a bit nervous sitting up there. It was insane -- but in a good way. Also caught them at Jimmy Kimmel Live. Had to watch from outside peeking thru a crack in the fence , because we arrived just as they closed the gate. Stood outside and listened along with other latecomers Just don't be late at Kimmel!

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Although Creep was fantastic, I do find it odd when bands with a huge back catalogue to choose from feel the need to perform covers. Alison Moyet as support was also sublime. Brilliant start with Everybody Wants to Rule the World and it only got better with the great encore and Shout!

It's just a pity they don't tour more in Europe and the UK because although they played the best tracks last night and very well indeed it would also be great to hear some more of the music from their lesser known albums like Elemental. Amazing show.

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These guys just keep getting better with age. Was right up front.

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Got some awesome pics. They are so talented. Could've went for maybe one or two more songs in the encore. But they played some deeper tracks which was very cool. Great concert, venue was superb. The setlist was very satifying too. Both Roland Orzabal and Curt Smith were on top form. Looking forward to their summer gigs. And it made me appreciate how good their sound was in the day. Now this is another day and they music was ahead if it's time. A great set showcasing their discography to the max.

The sound quality was superb with Roland and Kurt supported and broadened by the qualities of the four musicians to make a fuller sound. This may have begun as a nostalgia trip for the more mature concert goer, but the music was valid, current and spoke of today with vibrancy. Great gig. The guy's put on one he'll of a show, from start to finish and the sounded great. Many seats emptied after their set Bravo jodhpur well done Guys Curt and Roland put on a great show! This was the first concert the whole family has attended and we had a great time.

Both of our boys know the hits from the 80s, including Songs from the Big Chair, thanks to Spotify and Pandora. But what we loved most was hearing forgotten songs from before and after their landmark album. What an excellent show! Superb performance from all members; the background singer was a perfect supplement to Roland and Curt's vocals, and the instrumentalists were rock solid.

The TFF sound cannot be duplicated by anyone else. The lights were also spectacular. I hope they come back again next year. The concert was awesome. I was surprised too see that Roland and Curt still had it in them and their voices sounded just the same. Tears for fears sounded great.

Very disappointing. See all videos 2. See all photos See all posters See all past concerts This event has been added to your Plans. Get your tour dates seen by one billion fans: Sign up as an artist. Yes, please notify me. On tour.

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